Well, that depends on the type of story you are writing. The period of your narrative will dictate the amount of character information you’ll have to create them come to life. For simplicity sake, I’ve broken my personality sheet down into what I use for each kind of writing. Your character sheets might vary.
Theme is indicated, occasionally without the writer’s knowing of it in the beginning; nonetheless, more seasoned writers usually work on their theme harder than any other part of the story as soon as they grab on to what it is they’re writing about.
Referring to this theme in recurring images, props, colors, settings, and situations may also be used in the demonstration of the theme. The color red in the movie American Beauty gives an important tip-off in introducing the principal theme of the narrative as it plays to the viewer’s feelings every time it’s shown. The above really only just starts to scratch the surface of what is available concerning Resources. However, one really important distinction here directly relates to your own goals. Even though it is important to every person concerned, there are important variables you should keep in mind. How each one will play out in your circumstances is largely unknown, but we each have to consider that. The rest of this article will present you with a few more very hot ideas about this.
What I’d love to do in this short essay is identify two very different sorts of fiction and briefly discuss an example of each. These aren’t genres but, rather, types – general classes if you will.
Use your experiences to create the story come to life. If you’ve been hurt, write it down. If you have been scared, write it down. If you’ve ever been in love, duped, overjoyed, given birth, buried a pet, been in an accident, conduct a race, or had your heart broken, write it down. These are the things that can make your story worth reading no matter what it’s about. Using your imagination doesn’t mean that you make up everything from scratch. Just ask yourself “what if” and plug into your own experiences. This is exactly what keeps the readers engaged , and turning page after page. Be yourself and continue writing.
It isn’t only a philosophical point. We invest a substantial part of our life from the fictional universe. We muse about the things in long run and also live over the prior imagining what could have been. The imagination about the future is based on our hopes and ambitions and also to some extent it is a positive in the sense that we’re in a position to mould our future when we sincerely attempt. But musing over the past is really a futile exercise because we know for a fact that ‘what could have been’ is only fantasy that never happened. Nevertheless it serves the exact same purpose as fiction from the perspective of amusement. We entertain ourselves by imagining how life would have been, knowing fully well that it has no reality whatsoever. In a metaphorical sense past, at least the distant past, is fiction. In a certain sense history itself is fiction as it always includes the subjective bias of the writer. What we know of Buddha and Jesus today is more fiction than truth. You can always check different fiction stories for reference.
Fiction is an integral part of individual life. Man has an inherent demand for recreation to get away, even though for a few moments, from the humdrum of life. Story telling has been one of the first ways of accomplishing that and over the ages it has grown into the diverse types of entertainment we have in the present day world. Entertainment is essentially of two kinds – active and passive. The busy entails physical participation in one way or other, while the passive doesn’t. Fiction is essentially a passive amusement even though the brain has an important role within it. Fiction always involves visualization whether it is covert or overt. The earliest form of overt visualization has been that the enacting of dramas since the cultures developed. The development of technology introduced in its modern forms – theater and television. The covert type is inherent to story telling and reading. It is an inherent feature of the human (or maybe any) mind a thought is always accompanied by an image. So when one reads or hears a story the brain visualizes the scene as well as the figures; this process continues throughout the narrative and often even after it has ended.
If it comes to superheroes, I like Spider-Man, BECAUSE he had doubts, and has been insecure… so I linked to him the maximum. Not all of us will have the technical understanding to write some thing as earth-shattering as Jules Verne’s “20,000 Leagues Under the Sea” which many claim was that the real motivation behind the first nuclear submarine. But what you do have is your own life experiences.
A much used way to demonstrate a theme is through the actions of the protagonist and the antagonist, together with the antagonist revealing the dark side of the theme and the protagonist the optimistic side.
“Knowledge is limited, imagination isn’t.” Albert Einstein said that although the wording of the next part could have been different. Einstein like any other human being was not infallible. Some of his views that he held right until the end turned out to be wrong even in the field of physics. In this particular statement also he appears to have it backwards. Knowledge may be limited in the case of an individual but in general it is infinite even if we consider just rational understanding leaving apart transcendental. Science in particular has demonstrated this at every step in the course of its own development. Imagination pertains to a single thoughts and is constrained by numerous things based on the situation of the person. A mind can envision only what relates in some way to things already stored in it. A person who has been outdoors a remote place in wilderness and has no contact with the world outside cannot envision what metropolitan cities are like.
Yes, I now have a character that is a writer, and that I have a character that is a photographer. My stories are character driven by emotions that I understand. I am NOT saying plot and settings are not important. What I am saying is to utilize your strengths. You do not need to become a cop to resolve a puzzle. You don’t need to fly to write about superheroes. What you must do is write about what you know to catch people’s attention. Can I believe that a man can fly? No. Do I think Lois enjoys Clark? I have no doubt.
The first type is what I’ll call Fiction Enhanceable via Internet, or FEBI for short. The second is a Type of antithesis, the opposite – Fiction Not Enhanceable by Internet, or Non FEBI. An example of the first is Tripmaster Monkey by Maxine Hong Kingston; of the moment, Mohawk by Richard Russo. I would surmise, without really having any means of knowing, that there are nearly unlimited examples of every kind, so consequently the examples I select here are wholly arbitrary.